I’m thrilled to share this stunning documentary book about African prints, crafted in Kyoto, Japan, during the 1940s to 1970s. This discovery feels like a beautiful bridge between my heritage and creative journey, and I’m deeply grateful to the person who recommended it — someone who studied African prints in depth at university.
My love for African wax prints began after I moved to London. These vibrant, bold designs were impossible to ignore — they were everywhere, brimming with life and color. I couldn’t resist collecting a few, enchanted by the intricate patterns and playful motifs. At first, they were just treasured pieces in my collection. But when my first daughter was born, I knew exactly what I wanted to do with them: sew her clothes. That moment sparked a creative journey that has shaped much of what I make today.
This book delves into the fascinating history of a Kyoto-based company — the only one in Japan that ever produced African wax prints. Interestingly, these prints were never sold domestically; they were made exclusively for export to African markets. That explains why African wax fabrics are virtually nonexistent in Japan today.
I love uncovering these stories of cultural exchange — unexpected links between places that seem so far apart, like Japan and Africa. It’s a reminder of how textiles carry history, identity, and tradition across borders. I feel inspired to keep learning more, and I’m so thankful for the recommendation that led me to this beautiful book!
